Its great to be back up and running. Cinematic Immunity back with an episode from the vault. Visual Effects Cinematographer Christopher Lee Warren takes us on a journey through the world of miniatures and visual effects with his experience as a 3rd generation member of a famous Visual Effects family.
Sometimes you find yourself with some fake blood in your mouth and a couple of drinking straws - because that's how you get things done in this business. At least, it is when you're a special effects makeup artist, like this week's Cinematic Immunity guest, David Mendez.
Listen as the multi-talented Mendez brakes down the makeup department for us, with a special focus on special-effects. We talk about the tools of his trade (fake blood and drinking straws are only two of them), the challenges and fun of creating makeup looks for film, his influences, and how Captain Kirk taught him to fight. He also explains how being a U.S. Army Infantryman compares to working on a movie set, and how it has helped his stunt coordinator work.
Here's what it's like to shoot a moving train from a moving helicopter, who wins a budgets-vs.-creative battle in the studio system - or budgets and efficiency vs. safety. The answers to questions like, why are we still waiting to shoot? Why are studios the way they are? What goes into the machinery of studio financing? ...and how Billy knew he had finally made it in the business when no one would sit with him at lunch.
The wait is over! Producer and 3rd-generation movie-maker, Billy Badalato, Jr., stopped by Cinematic Immunity recently to school us on the ins and outs of international and domestic film consulting, the logistics of Navy fighter-jet refueling, and some of the difficulties of using trains, planes and boats in your movie. We discuss what happens when you go to shoot in the middle of nowhere, and how to climb the showbiz ladder from personal assistant to president of a global production and consulting company.
Today on the Cinematic Immunity podcast, we bring you an interview with award-wining cinematographer, David Stump, A.S.C.. Get ready for stories about some of your all-time favorite films! In this episode, we discuss the unforgettable train sequence in Stand By Me, Rambo III's "muscle lighting," Beetlejuice, and Army of Darkness. Plus, we talk about Quantum of Solace and forgetting to steal things, Star Trek: First Contact and Patrick Stuart's eyeball work, and we visit post-apocalyptic Kansas, go for a ride in a certain time-traveling Delorean once more, and Louis loves on David's timely new book, Digital Cinematography: Fundamentals, Tools, Techniques, and Workflows.
Over last thirty-plus years, David Stump has worn many filmmaking hats. He's been a producer, a director, a cinematographer, an author, a visual effects supervisor, an effects cameraman - and he even has an Academy Award for Scientific & Technical Achievement. He's worked on some of the most memorable films from the last three decades, and is generous enough to share his knowledge with the world through his excellent book and insightful articles on filmmaking. Enjoy the interview!
Let us know what you think of Cinematic Immunity! You can leave us a comment in the space below, send us a message through the Get In Touch page, and, of course, follow us on the social media platform of your choice. Catch up on old episodes here, and subscribe to the podcast on iTunes, SoundCloud and Stitcher.
We'll see you back on Thursday for a preview of our next interview: Producer Billy Badalato, Jr.
On this week's episode of Cinematic Immunity, we talk to Dan McMellen, post-production supervisor, editor, director, producer, and all around awesome podcast guest, about how he got his start in the entertainment industry, mastering his craft, and what professionals like himself look for in an assistant. Plus, he separates the fact from the fiction when it comes to editing one oft-maligned programming genre: reality TV shows.
Read more about Dan McMellen here, and be sure to check back next Tuesday for Part 2 of his interview, in which we discuss the equipment and technical know-how essential to the post-production process.
This week on Cinematic Immunity, stylish and talented costume designer Karyn Wagner joins us to talk about how she went from being "the best-dressed camera assistant ever" to designing the costumes forThe Green Mile, Friday Night Lights and The Notebook, where she finds the inspiration for her designs, and how a she can make you hate a character without him ever saying a word.
Did Ken ruin Dennis Miller's movie career? Was Bryan a happiness oasis on 'Olive Juice'? Do Backstreet Boys cause security problems? Did Louis get us that coffee? Is Liz Hurley calling Ken in the W.C. right now? Is structured writing like creative waterboarding? Did we sneak the tag 'boobs' in this post? Who will Ken book next on 'The Tom Green Show'? Will we now do the podcast with 6-packs in hand? Cinematic Immunity!