Cinematography

Ep. 31: David Stump, A.S.C. - Cinematographer

Ep. 31: David Stump, A.S.C. - Cinematographer

Today on the Cinematic Immunity podcast, we bring you an interview with award-wining cinematographer, David Stump, A.S.C.. Get ready for stories about some of your all-time favorite films!  In this episode, we discuss the unforgettable  train sequence in Stand By MeRambo III's "muscle lighting," Beetlejuice, and Army of Darkness. Plus, we talk about Quantum of Solace and forgetting to steal things, Star Trek: First Contact and Patrick Stuart's eyeball work, and we visit post-apocalyptic Kansas, go for a ride in a certain time-traveling Delorean once more, and Louis loves on David's timely new book, Digital Cinematography: Fundamentals, Tools, Techniques, and Workflows

Over last thirty-plus years, David Stump has worn many filmmaking hats. He's been a producer, a director, a cinematographer, an author, a visual effects supervisor, an effects cameraman - and he even has an Academy Award for Scientific & Technical Achievement. He's worked on some of the most memorable films from the last three decades, and is generous enough to share his knowledge with the world through his excellent book and insightful articles on filmmaking. Enjoy the interview! 

Let us know what you think of Cinematic Immunity! You can leave us a comment in the space below, send us a message through the Get In Touch page, and, of course, follow us on the social media platform of your choice. Catch up on old episodes here, and subscribe to the podcast on iTunesSoundCloud and Stitcher

We'll see you back on Thursday for a preview of our next interview: Producer Billy Badalato, Jr. 

 

Ep. 25: Steven Poster, A.S.C. - Cinematographer & Union President

Ep. 25: Steven Poster, A.S.C. - Cinematographer & Union President

 

Steven Poster, the President of the International Cinematographers Guild, represents camera workers and film publicists across the United States.  Poster was kind enough to sit down with Cinematic Immunity and share his stories about getting started in filmmaking and working on such films as "Blade Runner" (1982) "Close Encounters of the Third Kind" (1977) and "Donnie Darko" (2001). Hear these stories and more now in our interview with Steven Poster, ASC.

Ep. 24: Dean Cundey - Cinematographer Part 2

Ep. 24: Dean Cundey - Cinematographer Part 2

Dean returns in Part II.  We discuss the challenges of Roger Rabbit not existing on location, to getting some assistance from the Oval Office to solve pesky gravity problems on a certain spaceship set. In-between, we breakdown some select scenes of the greatest Trilogy ever about a time-traveling teen and his friend the "Doc".

Ep. 23: Dean Cundey - Cinematographer Part 1

Ep. 23: Dean Cundey - Cinematographer Part 1

Jurassic Park! Halloween! Big Trouble in Little China!

Acclaimed cinematographer Dean Cundey sat down with Cinematic Immunity for an interview and knocked our socks off.  In part one of our two-part discussion, we learn how Cundey got his start in Hollywood, his turning point in film school, and the surprising keys to success that they don't teach in school, such as, "Always try to get someone else to take the blame." He says with a wry smile. 

Dean was also kind enough to share his stories of pioneering the use of Steadicam with the multi-talented John Carpenter in "Halloween" (1978), how his innovative, Oscar-nominated work on "Who Framed Roger Rabbit" (1988) paved the way for the groundbreaking visual effects of "Jurassic Park" (1993), how the military precision of the "Jurassic Park" film crew wowed the actual military after Hurricane Iniki hit on their last day of filming, and much more.

We'll see you back next Tuesday, September 16th, 2014, for part two of our interview with the great Dean Cundey, A.S.C..

Ep. 20: Douglas C. Hart - 1st Assistant Cameraman part 2

 Ep. 20: Douglas C. Hart - 1st Assistant Cameraman part 2

Listen in as Doug continues to tell his tale of being a 1st AC in New York for more than four decades. You'll learn all about the odd way John Landis likes to start conversations (and what jokes you should never tell in his presence), how hard it is to pull focus on the elusive Robert Redford, the wonderful paychecks from the Brooklyn Bridge, how much fun stunt work can be on films like 'The Hardway,' and how nimble Spike Lee can be when things really start to heat up on-set.

Ep. 19: Douglas C. Hart - 1st Assistant Cameraman part 1

Ep. 19: Douglas C. Hart - 1st Assistant Cameraman part 1

Doug sits down with Cinematic Immunity to talk about growing up on set with his dad and brother, his start in the business as a 1st Assistant Cameraman, shooting documentaries all over the world, and then coming home to New York City to work for the Master of Darkness - cinematographer Gordon Willis - for over ten years. They would go to work for Woody Allen, making six of his classic films. Part 1 of our interview covers the first two decades of Doug's illustrious career. Tune in next week for Part 2 of Doug's interview with Cinematic Immunity for more first-hand stories that you won't hear anywhere else.

Ep. 2: Haskell Wexler, A.S.C. - Cinematographer

Ep. 2: Haskell Wexler, A.S.C. - Cinematographer

The art and craft of movie making; The stories that define it.  Legendary cinematographer Haskell Wexler, A.S.C. joins us here on Cinematic Immunity.  Subscribe on iTunes, stay updated, enjoy the show.