The wait is over! Producer and 3rd-generation movie-maker, Billy Badalato, Jr., stopped by Cinematic Immunity recently to school us on the ins and outs of international and domestic film consulting, the logistics of Navy fighter-jet refueling, and some of the difficulties of using trains, planes and boats in your movie. We discuss what happens when you go to shoot in the middle of nowhere, and how to climb the showbiz ladder from personal assistant to president of a global production and consulting company.
Steven Poster, the President of the International Cinematographers Guild, represents camera workers and film publicists across the United States. Poster was kind enough to sit down with Cinematic Immunity and share his stories about getting started in filmmaking and working on such films as "Blade Runner" (1982) "Close Encounters of the Third Kind" (1977) and "Donnie Darko" (2001). Hear these stories and more now in our interview with Steven Poster, ASC.
In our final interview recorded during our trip to New York in June, comedian and actress, Carrie Gravenson, sat down with Cinematic Immunity in our secret Illuminati lair (a.k.a. the International Cinematographers Guild Local #600 New York office) and took us behind the curtain of the New York stand-up scene. Listen to Carrie's story of taking on the competitive world of stand-up comedy, co-producing The Tomfoolery Hour comedy showcase, and the frustrations and comedic gold that ensue from traveling the country with the talented women of her Pink Collar Comedy Tour. Learn all that, plus how to fit into a dish washer, in Episode 21 of the Cinematic Immunity podcast.
Listen in as Doug continues to tell his tale of being a 1st AC in New York for more than four decades. You'll learn all about the odd way John Landis likes to start conversations (and what jokes you should never tell in his presence), how hard it is to pull focus on the elusive Robert Redford, the wonderful paychecks from the Brooklyn Bridge, how much fun stunt work can be on films like 'The Hardway,' and how nimble Spike Lee can be when things really start to heat up on-set.
Doug sits down with Cinematic Immunity to talk about growing up on set with his dad and brother, his start in the business as a 1st Assistant Cameraman, shooting documentaries all over the world, and then coming home to New York City to work for the Master of Darkness - cinematographer Gordon Willis - for over ten years. They would go to work for Woody Allen, making six of his classic films. Part 1 of our interview covers the first two decades of Doug's illustrious career. Tune in next week for Part 2 of Doug's interview with Cinematic Immunity for more first-hand stories that you won't hear anywhere else.
Here is a sneak preview of our next podcast. Haskell Wexler, A.S.C., joins us here at the Cinematic Immunity Studio to talk about worker safety, turning down Marlboro commercials, and the state of the business with how it has changed over the last 60 years. Make sure to check in Tuesday, April 22nd as Haskell Wexler, A.S.C., joins us as our first special guest!