On this week's episode of Cinematic Immunity, we talk to Dan McMellen, post-production supervisor, editor, director, producer, and all around awesome podcast guest, about how he got his start in the entertainment industry, mastering his craft, and what professionals like himself look for in an assistant. Plus, he separates the fact from the fiction when it comes to editing one oft-maligned programming genre: reality TV shows.
Read more about Dan McMellen here, and be sure to check back next Tuesday for Part 2 of his interview, in which we discuss the equipment and technical know-how essential to the post-production process.
Thanks to David Lawrence's impressive musical pedigree, the successful composer can include "being around Sammy Davis, Jr. and Frank Sinatra" on his list of the many life-altering experiences he had growing up as the son of legendary entertainers, Steve Lawrence & Eydie Gormé.
Lawrence sat down with Cinematic Immunity and discussed his greatest influences, his artistic process, the nuts and bolts of being a film & television composer, working successfully with extreme time-tables, and the creative tug-of-war between directors and studios. From adding hairpins on the strings, to subtracting that repeating drum loop, it's an introduction into a whole new area of the filmmaking process that you won't want to miss!
Special thanks to Pancho Burgos-Goizueta, for his help in welcoming David Lawrence to the Cinematic Immunity podcast!
Jurassic Park! Halloween! Big Trouble in Little China!
Acclaimed cinematographer Dean Cundey sat down with Cinematic Immunity for an interview and knocked our socks off. In part one of our two-part discussion, we learn how Cundey got his start in Hollywood, his turning point in film school, and the surprising keys to success that they don't teach in school, such as, "Always try to get someone else to take the blame." He says with a wry smile.
Dean was also kind enough to share his stories of pioneering the use of Steadicam with the multi-talented John Carpenter in "Halloween" (1978), how his innovative, Oscar-nominated work on "Who Framed Roger Rabbit" (1988) paved the way for the groundbreaking visual effects of "Jurassic Park" (1993), how the military precision of the "Jurassic Park" film crew wowed the actual military after Hurricane Iniki hit on their last day of filming, and much more.
We'll see you back next Tuesday, September 16th, 2014, for part two of our interview with the great Dean Cundey, A.S.C..