Here's what it's like to shoot a moving train from a moving helicopter, who wins a budgets-vs.-creative battle in the studio system - or budgets and efficiency vs. safety. The answers to questions like, why are we still waiting to shoot? Why are studios the way they are? What goes into the machinery of studio financing? ...and how Billy knew he had finally made it in the business when no one would sit with him at lunch.
The wait is over! Producer and 3rd-generation movie-maker, Billy Badalato, Jr., stopped by Cinematic Immunity recently to school us on the ins and outs of international and domestic film consulting, the logistics of Navy fighter-jet refueling, and some of the difficulties of using trains, planes and boats in your movie. We discuss what happens when you go to shoot in the middle of nowhere, and how to climb the showbiz ladder from personal assistant to president of a global production and consulting company.
Steven Poster, the President of the International Cinematographers Guild, represents camera workers and film publicists across the United States. Poster was kind enough to sit down with Cinematic Immunity and share his stories about getting started in filmmaking and working on such films as "Blade Runner" (1982) "Close Encounters of the Third Kind" (1977) and "Donnie Darko" (2001). Hear these stories and more now in our interview with Steven Poster, ASC.