Woody Allen

Ep. 22: Thomas Ethan Harris - Film Festival Consultant

Ep. 22: Thomas Ethan Harris - Film Festival Consultant

Thomas Ethan Harris and certain members of the Cinematic Immunity team may not see eye to eye on what constitutes a "good" epic space-opera of the late 1970s... but all was eventually forgiven thanks to Harris' incredible insights into the exciting world of film festivals and how independent filmmakers can achieve success in it.

In our interview with film consultant and co-founder of the Los Angeles Film Festival (L.A.F.F.), Thomas Ethan Harris, we learn what happens during the festival selection process, what you can do to help your film before and after it's accepted, and the important but often-overlooked details that make the great films stand out from all the rest.  We also discuss some of the movies Harris had a larger involvement in - such as the groundbreaking 1999 indie hit, "The Blair Witch Project" - and what he's learned from sitting through tens of thousands of short and feature-film submissions over the years. And, yes, we get his expert opinion on that classic movie about a galaxy far, far away...

Ep. 20: Douglas C. Hart - 1st Assistant Cameraman part 2

 Ep. 20: Douglas C. Hart - 1st Assistant Cameraman part 2

Listen in as Doug continues to tell his tale of being a 1st AC in New York for more than four decades. You'll learn all about the odd way John Landis likes to start conversations (and what jokes you should never tell in his presence), how hard it is to pull focus on the elusive Robert Redford, the wonderful paychecks from the Brooklyn Bridge, how much fun stunt work can be on films like 'The Hardway,' and how nimble Spike Lee can be when things really start to heat up on-set.

Ep. 19: Douglas C. Hart - 1st Assistant Cameraman part 1

Ep. 19: Douglas C. Hart - 1st Assistant Cameraman part 1

Doug sits down with Cinematic Immunity to talk about growing up on set with his dad and brother, his start in the business as a 1st Assistant Cameraman, shooting documentaries all over the world, and then coming home to New York City to work for the Master of Darkness - cinematographer Gordon Willis - for over ten years. They would go to work for Woody Allen, making six of his classic films. Part 1 of our interview covers the first two decades of Doug's illustrious career. Tune in next week for Part 2 of Doug's interview with Cinematic Immunity for more first-hand stories that you won't hear anywhere else.