This week on the Cinematic Immunity Podcast, Kimberley Browning gives us great insight into the world of independent film making. As a film festival director herself for Hollywood Shorts, she has screened, programmed and been an active participant in the complex world of independent film where crtically acclaimed and financially viable films go to live or die. We dig deep into how new forms of technology are good for people that dont have other outlets of expressing themselves and how race plays into the politics of the entertainment business.
We have all heard the analogy that a director's film is his or her baby. In this episode of Cinematic Immunity, we discuss that analogy as a partnership with the distribution or sales company as a partnership in nature.
"How do we Make Better Movie Babies" is an episode that helps to dispel the myth of feature film distribution and sales market by interviewing 2 experienced distribution agents and 1 sales agent and 1 filmmaker who knows how to make it happen.
Here's what it's like to shoot a moving train from a moving helicopter, who wins a budgets-vs.-creative battle in the studio system - or budgets and efficiency vs. safety. The answers to questions like, why are we still waiting to shoot? Why are studios the way they are? What goes into the machinery of studio financing? ...and how Billy knew he had finally made it in the business when no one would sit with him at lunch.
The wait is over! Producer and 3rd-generation movie-maker, Billy Badalato, Jr., stopped by Cinematic Immunity recently to school us on the ins and outs of international and domestic film consulting, the logistics of Navy fighter-jet refueling, and some of the difficulties of using trains, planes and boats in your movie. We discuss what happens when you go to shoot in the middle of nowhere, and how to climb the showbiz ladder from personal assistant to president of a global production and consulting company.